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Official Criticism? Critical Practices and Australian Poetry

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade

Interview with Andrew Taylor

*Fredy Neptune*: Metonymy and the Incarnate Preposition

Snake Dreaming: The Life-Giving and Life-Taking Powers of the Snake

Unknown Australia: Rosa Praed’s Vanished Race

‘That Wild Run to London’ : Henry and Bertha Lawson in England

Displaying the Monster: Patrick White, Sexuality, Celebrity

First Steps toward a History of the Mid-Victorian Novel in Colonial Australia

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

Gender Buttons

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance Measurement

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary Culture

Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of Hybridity

The Creation of Rachel Henning: Personal Correspondence to Publishing Phenomenon

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*

Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with Joyce