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The Poetemics of Oodgeroo of the Tribe Noonuccal

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

An Uncollected Poem by Kenneth Slessor

Review of *Rosa! Rosa!: A Life of Rosa Praed, Novelist and Spiritualist*, by Patricia Clarke

Review of *Siting the Other: Re-visions of Marginality in Australian and Anglophone Canadian Drama*, edited by Marc Maufort

Review of *Rewriting God: Spirituality in Contemporary Australian Women 's Fiction*, by Elaine Lindsay, and *Feminist Poetics of the Sacred: Creative Suspicions*, edited by Frances Devlin-Gass and Lynn McCredden

Society of Women Writers 1925-1935

Review of *The Oxford Book of Australian Essays*, edited by Imre Salusinszky

Review of *The Devil and James McAuley*, by Cassandra Pybus

Review of *Prosthetic Gods: Travel, Representation and Colonial Governance*, by Robert Dixon

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

Review of *A.D. Hope: Selected Poetry and Prose*, *The Double Looking Glass: New and Classic Essays on the Poetry of A.D. Hope*, and *Lost Angry Penguins: D.B. Kerr and P.G. Pfeiffer: A Path to the Wind*

‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic Omeros

Review of *Transgressive Itineraries: Postcolonial Hybridizations of Dramatic Realism*, by Marc Maufort

Fresh Light on A. G. Stephens as Editor of Barcroft Boake’s Works

Review of *Witnessing the Past: History and Post-Colonialism in Australian Historical Novels*, by Sigrun Meinig

‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative Life

Review of *Patrick White: A Bibliography*, by Brian Hubber and Vivian Smith

Review of *Creating Frames: Contemporary Indigenous Theatre*, by Maryrose Casey

Review of *Read It Again*, by Chris Wallace-Crabbe