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- Review of *Tasmanian Visions: Landscapes in Writing, Art and Photography*, by Roslynn D. HaynesReview1 October 2010
- Review of *Rainforest Narratives: The Work of Janette Turner Hospital*, by David CallahanReview1 October 2010
- Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*Essay1 October 2013
- Rescuing Reading: Strategies for Arresting the Decline of Reading in Western Australian Newspapers between the WarsEssay1 October 2014
- Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary CultureEssay1 October 1989
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- Helping Yourself: Marlo Morgan and the Fabrication of Indigenous WisdomEssay1 October 2004
- Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. NortonEssay1 October 2006
- 'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George JohnstonEssay1 June 2016
- Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*Essay25 February 2018
- Bridging Distances: Ruth Park’s *A Power of Roses* (1953)Essay3 October 2024
- Annual Bibliography of Studies in Australian Literature: 2008Essay1 May 2009
- Irishness as a Literary Condition: Australia and its Irish Reading and Writing CommunityEssay30 September 2021
- ‘The Kingdom of Dust’: *Voss* as Planetary EpicEssay11 December 2022
- Review of On Native Grounds, Meanjin Quarterly Index 1940-65, and The Vital DecadeReview1 May 1970
- Review by Craig MunroReview1 May 1991
- ‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and KindEssay7 December 2016
- John Greenway and the Aborigines: A RejoinderEssay1 December 1966
- Research in Progress in Australian Literature [1969]Essay1 October 1969
- A Checklist of Kenneth Mackenzie’s WorksEssay1 October 1970