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- Review of *An Unsentimental Bloke: The Life and Works of C.J. Dennis*, by Philip ButterssReview1 November 2013
- Listening between the Lines: Introduction: Exploring Interdisciplinarity between Music and LiteratureEssay1 June 2014
- ‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial GeorgicEssay2 May 2023
- Introduction: Writing Disability in AustraliaEssay23 May 2022
- Simon During, Crisis Talk and the Legacies of the 1980sEssay30 October 2023
- Gerald Murnane’s Class: A Review of *Murnane*, by Emmett StinsonReview25 May 2024
- Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*Essay25 February 2018
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Conceptualising Irish-Aboriginal WritingEssay30 September 2021
- H. G. Wells in AustraliaEssay30 May 1990
- A Lost Satire on the 1890s *Bulletin* Writers and BohemiansEssay1 October 1986
- Interview with Kerry Reed-GilbertEssay5 May 2016
- Transforming *Jane Eyre*: Its Australian Stage AdaptationsEssay31 October 2015
- Back to Whitton Week: Tracking Tom Keneally's CareerEssay30 May 2015
- William Hay and History : A Comment on Aims, Sources and MethodEssay1 December 1965
- The Redemptive Theme in *His Natural Life*Essay1 June 1965
- Facey’s A Fortunate Life and Traditional Oral NarrativesEssay1 May 1988
- *Unspoken Thoughts*: A Reassessment of Ada CambridgeEssay1 May 1989
- Patrick White’s *A Fringe of Leaves*: History and FictionEssay1 October 1978