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- Being Out of Time: Animal Gods in Contemporary Extinction FictionsEssay1 June 2010
- A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*Essay1 November 2008
- Asia and the Contemporary Australian NovelEssay1 October 1984
- Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*Essay31 October 2015
- Aboriginality in *Ethel Turner’s Seven Little Australians* and Its Translation into GermanEssay1 November 2015
- Henry Kingsley: *Ravenshoe*Essay1 October 1969
- The Development of an Egalitarian Poetics in the Bulletin, 1880-1890Essay1 May 1981
- [Statements about War Literature]Essay1 October 1985
- Bruce Dawe and Frank Sargeson : Speaking in Other VoicesEssay1 May 1983
- Nationalism before Nationhood: Overseas Horizons in Debates of the 1880sEssay1 October 1990
- Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ NovelEssay1 October 2011
- Recoil from Disorder: David Ireland’s *The Chantic Bird*Essay1 October 1978
- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- Leisure and Grief: The Recent Poetry of Chris Wallace-CrabbeEssay1 October 1996
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933Essay1 May 1998
- Australian Literary and Scholarly Publishing in Its International ContextEssay1 May 1999
- Les Murray: A Selective ChecklistEssay1 October 2001
- Un/making Sexuality: *Such Is Life* and the Observant Queer ReaderEssay1 October 2003
- The Company She Keeps: Demidenko and Imposture in AutobiographyEssay1 October 2004