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- Justice, Sacrifice and the Mother’s PoemEssay1 October 2001
- On Appropriation: Two Novels of Dark and Barnard EldershawEssay1 October 2002
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- Helping Yourself: Marlo Morgan and the Fabrication of Indigenous WisdomEssay1 October 2004
- Unknown Australia: Rosa Praed’s Vanished RaceEssay1 May 2005
- ‘But who considers woman day by day?’: Australian Women Poets and World War IEssay1 May 2007
- ‘That Wild Run to London’ : Henry and Bertha Lawson in EnglandEssay1 October 2007
- Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and AestheticsEssay1 November 2008
- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006
- Annual Bibliography of Studies in Australian Literature: 2007Essay1 October 2008
- Manifesting Literary Feminisms: Nexus and FaultlinesEssay1 November 2009
- *West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of MovementEssay1 May 2011
- Bodies that Speak: Mediating Female Embodiment in Tim Winton’s FictionEssay1 June 2012
- Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. AkhurstEssay1 October 2011
- ‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of AnzacEssay1 November 2015
- Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional VerseEssay1 June 2014
- A Decade of ComplaintsEssay30 October 2023
- Literary Aspiration and the Papers of William Gosse HayEssay9 July 2018
- The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*Essay10 August 2016
- Interview with Thomas Keneally, Manly, 27 June 2012Essay30 May 2015