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Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016

Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.

Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*

‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold War

The Genesis of a Writer: The Early Years of Kenneth Mackenzie

At the Edge: Geography and the Imagination in the Work of David Malouf

The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947

A Lost Dimension: The Immigrant’s Experience In the Work of David Malouf

The Treatment of the Aborigine in Early Australian Fiction, 1840-70

The Dual Nature of Shaw Neilson’s Vision

Christina Stead: An Interview

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

James McAuley’s New Guinea : Colonialism, Modernity and Suburbia

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*

Good Readers and Good Citizens: Literature, Media and the Nation

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging Phantoms

In the Beginning: David Malouf’s *An Imaginary Life*

Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950

‘Phrases Between Us’: The Poetry of Anna Wickham