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- Barry Oakley and the Satiric ModeEssay1 May 1975
- Centre of Fierceness: Francis Webb’s Vision of the ArtistEssay1 October 1975
- Jindyworobaks and AboriginesEssay1 May 1977
- Marcus Clarke’s *Chidiock Tichbourne*Essay1 October 1974
- The ‘Literary Photographs’ of Henry LawsonEssay1 October 1978
- The Support of Literature in Colonial AustraliaEssay1 October 1980
- Reading the Signs of Michael Wilding’s ‘Knock, Knock’Essay1 June 1991
- Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*Essay1 October 1990
- Hal Porter, *The Tower* and the Quintessence of PorterismEssay1 June 1991
- Sonnet Sequences in Australia (1832-1990): A Preliminary ChecklistEssay1 October 1993
- ‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas ShapcottEssay1 May 1997
- Un-Australian Activities?: Mary Gilmore’s Versions from the SpanishEssay1 October 1997
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991
- Neither Here Nor There: Suburban Voices in Australian PoetryEssay1 November 1998
- The Solitariness of Alex MillerEssay1 May 2004
- Criminal Transport: George Barrington and the Colonial CureEssay1 May 2002
- A. D. Hope and the Apocalyptic Splendour of the SexesEssay1 October 2000
- The Company She Keeps: Demidenko and Imposture in AutobiographyEssay1 October 2004
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- Unbecoming Australians : Crisis and Community in the Australian Villa/ge BookEssay1 October 2007