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‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay Fiction

Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’

Irish-Australian Literature: Ghosts, Genealogy, Tradition

Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney Literatures

Site Unscene: Medial Ideology and the Literary Interface

Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences Frontier

Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler Colonialism

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne

‘From the Lips of a Lady’: Mrs A.M. Hamilton-Grey’s First Biography of Henry Kendall

*Fredy Neptune*: Metonymy and the Incarnate Preposition

Demidenko/Darville: A Ukrainian-Australian Point of View

Henry Lawson and the ‘Pinker of Literary Agents’

First Steps toward a History of the Mid-Victorian Novel in Colonial Australia

Bodies that Speak: Mediating Female Embodiment in Tim Winton’s Fiction

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*

The Asian Conspiracy: Deploying Voice/Deploying Story

Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius Barbeau