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‘Those Ungodly Pressmen’: The Early Years of the Brisbane Johnsonian Club

Judith Wright and the Temporality of Composition

Joyce Eyre and Australian Literature at the University of Tasmania

‘Some Presence Inevitably Shows through’: Harold Stewart’s Haiku Versions

‘His Grief Is the Plague’ Poetry of Loss and the Risk of Losing One’s Readers

Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of Performance

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.

Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*

The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*

Politics and Passion in Stead’s Late Novels

‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay Fiction

Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’

Irish-Australian Literature: Ghosts, Genealogy, Tradition

Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney Literatures

Site Unscene: Medial Ideology and the Literary Interface

Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences Frontier

Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler Colonialism

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry