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Selective Bibliography of the Contemporary Australian Short Story

My Unilateral Debate: Katharine Susannah Prichard, Rebel Heroes and Matters Pertaining

Mateship, Individualism and the Production of Character in Australian Fiction

Lawler’s Demythologizing of the Doll: Kid Stakes and Other Times

Dreams and Visions in *The Tree of Man*

Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian Exploration

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her Critics

Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934

Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary History

Reading (in/and) *Miranda*

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

Beyond Capricornia: Ambiguous Promise in Alexis Wright

‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic Primitivism

Delight and Revolution: Literary Studies, Aesthetics and Ideology

The Politics of English Studies in India

Once We Were a Discipline: Stray Thoughts on English

Books as Gifts: The Meaning and Function of a Personal Library

Phonographic Books and the Late Nineteenth-Century Reader