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- Authors’ Statements [James McQueen]Essay1 October 1981
- [Statement]Essay1 October 1985
- Review by Brian ElliottReview1 May 1976
- Review of books by Nancy Keesing, James McAuley and Barry AndrewsReview1 May 1976
- The Influence of John Steinbeck’s *The Pastures of Heaven* on Patrick WhiteEssay1 May 1974
- Review of *Making Books: Contemporary Australian Publishing*, edited by David Carter and Anne GalliganReview1 May 2009
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*Essay7 December 2016
- The Historical Basis of ‘Robbery Under Arms’Essay1 June 1965
- Interview with Barbara HanrahanEssay1 May 1983
- The Design of ‘For the Term of His Natural Life’Essay1 October 1974
- The Suburban Problem of EvilEssay1 November 1998
- Eurydice’s Curse: J. M. Coetzee and the Prospect of DeathEssay25 February 2018
- Charles Rowcroft: An Unpublished MemoirEssay1 October 1967
- Henry Lawson; ‘The Sliprails and the Spur’ at Pahiatua?Essay1 May 1970
- Review of *Letters of Mary Gilmore*, selected and edited by W.H. Wilde and T. Inglis MooreReview1 May 1981
- While My Name Is Remembered…Essay1 November 1994
- English Heritage and Australian Culture: The Church and Literature of England in *Oscar and Lucinda*Essay1 October 1995
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986