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- Christos Tsiolkas and the Pornographic Logic of Commodity CapitalismEssay1 May 2010
- The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*Essay7 December 2016
- Eurydice’s Curse: J. M. Coetzee and the Prospect of DeathEssay25 February 2018
- Short NoticesEssay1 May 1983
- War in Post-1960s Fiction: Johnston, Stow, McDonald, Malouf and Les MurrayEssay1 October 1985
- Review of *Patrick White* by Brian KiernanReview1 May 1983
- Some Henry Lawson Letters to Edward GarnettEssay1 May 1985
- ‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s FictionEssay1 October 1989
- *Etymspheres*Essay1 October 1977
- Review of *The Eye in the Mandala: Patrick White: A Vision of Man and God* by Peter Beatson and *Patrick White: Voss* by William WalshReview1 May 1978
- The Fiction of Beverley FarmerEssay1 May 1990
- *Geoffry Hamlyn* and Its Australian SettingEssay1 June 1963
- Review of *The Default Country: A Lexical Cartography of Twentieth Century Australia*, by J.M. ArthurReview1 October 2003
- Review of *City Bushman: Henry Lawson and the Australian Imagination*, by Christopher LeeReview1 October 2005
- The Golden Fish: On Reading J. S. HarryEssay1 October 2005
- Review of *Creme de Ia Phlegm: Unforgettable Australian Reviews*, edited by Angela BennieReview1 October 2008
- Review of *A Companion to Australian Literature since 1900*, edited by Nicholas Birns and Rebecca McNeer.Review1 May 2009
- Review of *Making Books: Contemporary Australian Publishing*, edited by David Carter and Anne GalliganReview1 May 2009
- Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*Essay1 October 2009
- Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth JolleyEssay1 October 2009