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- Phonographic Books and the Late Nineteenth-Century ReaderEssay1 October 2014
- A Lady’s Letter from London: 1873-1908Essay1 October 1984
- Review of *The Writer in Australia 1856-1964*, edited by John BarnesReview1 October 1969
- Review of *Louisa* by Brian MatthewsReview1 May 1988
- Shirley Hazzard : Dislocation and ContinuityEssay1 October 1979
- Review of *Clara Morison* by Catherine Helen Spence, edited by Susan Eade; and *Catherine Spence* by Janet CooperReview1 October 1973
- Francis Webb’s ‘Sturt and the Vultures’ : A Note on SourcesEssay1 May 1974
- Review of *Australian Literary Criticism since 1901*, by Peng QinglongReview29 October 2020
- James McAuley’s New Guinea : Colonialism, Modernity and SuburbiaEssay1 November 1998
- Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. AkhurstEssay1 October 2011
- The Prototype of Richard MahonyEssay1 May 1970
- Discoveries and Transformations: Aspects of David Malouf’s WorkEssay1 May 1984
- Patrick White’s Novels and NietzscheEssay1 May 1980
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- Review of Martin Boyd, by Brenda NiallReview1 October 1979
- Marcus Clarke, the Two George Eliots, and the History of Two NewspapersEssay31 October 2015
- Review of *The Australian Tradition*, Second Revised Edition, by A.A. PhillipsReview1 October 1967
- Review *Kenneth Mackenzie* by Evan JonesReview1 May 1970
- Review of *Double Agent: David Ireland and His Work* by Helen DanielReview1 May 1983
- Review of *Australia on the Popular Stage: 1829-1929* by Margaret WilliamsReview1 May 1984