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- Review of *Larrikins: A History*, by Melissa BellantaReview1 November 2012
- ‘Tribute’: An Unknown Poem by Mary GilmoreEssay1 October 2012
- Christina Stead’s ‘Drama of the Person’Essay1 October 1987
- Francis Webb’s ‘Sturt and the Vultures’ : A Note on SourcesEssay1 May 1974
- Les Murray’s ‘Narrowspeak’Essay1 October 2001
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- ‘Cutting off the Head of the King’: Sovereignty, Feudalism, FantasyEssay1 October 2011
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- Christina Stead’s Earliest PublicationsEssay7 December 2016
- Christina Stead: An InterviewEssay1 May 1974
- *Unspoken Thoughts*: A Reassessment of Ada CambridgeEssay1 May 1989
- The Writing of CapricorniaEssay1 May 1970
- Charles Harpur’s Reputation 1853-1858 : The Years of ControversyEssay1 October 1978
- ‘Hearts of Gold and a Happy Ending’: The Appeal of *The Harp in the South*Essay1 May 1990
- ‘One of Them Kinds of Kids’: The Lives of Les MurrayEssay1 May 2002
- Review of *The Memoirs of James Hardy Vaux, Including his Vocabulary of the Flash Language*, edited by Noel McLachlanReview1 June 1965
- Review of *The Farthing Poet*: A Biography of Richard Hengist Home 1802-84, by Ann BlaineyReview1 May 1969
- Authors’ Statements [Thelma Forshaw]Essay1 October 1981
- Editors’ Statements [Nancy Keesing]Essay1 October 1981
- Short NoticesEssay1 May 1983