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- Coppin - How Great? Alec Bagot’s *Father of the Australian Theatre*Essay1 October 1967
- Review of *Big-Noting: The Heroic Theme in Australian War Writing* by Robin Gerster, and *Frank Honywood, Private: A Personal Record of the 1914-1918 War, by Eric Patridge, introduced and annotated by Geoffrey SerleReview1 May 1989
- Australian Poems on European PaintingsEssay1 June 1991
- Mudrooroo: Crafty Imposter or Rebel with a CauseEssay1 October 2004
- The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*Essay7 December 2016
- Official Criticism? Critical Practices and Australian PoetryEssay1 October 1993
- Good Readers and Good Citizens: Literature, Media and the NationEssay1 October 1999
- The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth CenturyEssay1 May 2006
- Henry Lawson and the ‘Pinker of Literary Agents’Essay1 October 2007
- What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*Essay1 November 2010
- Bibliographic Notes on Selected Irish-Australian WritersEssay30 September 2021
- Vance and Nettie Palmer: The Literary JournalismEssay1 October 1973
- ‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard EldershawEssay1 May 1995
- Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard LeeEssay1 October 1993
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- ‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*Essay1 May 1991
- Helen Garner’s *Monkey Grip*: The Construction of an Author and Her WorkEssay1 October 1992
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- Obscene and Over Here : National Sex and the Love Me Sailor Obscenity TrialEssay1 October 2002