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Review of *The Colonial Journals and the Emergence of Australian Literary Culture*, Rev. ed., by Ken Gelder and Rachael Weaver

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

Coppin - How Great? Alec Bagot’s *Father of the Australian Theatre*

Review of *Big-Noting: The Heroic Theme in Australian War Writing* by Robin Gerster, and *Frank Honywood, Private: A Personal Record of the 1914-1918 War, by Eric Patridge, introduced and annotated by Geoffrey Serle

Australian Poems on European Paintings

Mudrooroo: Crafty Imposter or Rebel with a Cause

The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*

Official Criticism? Critical Practices and Australian Poetry

Good Readers and Good Citizens: Literature, Media and the Nation

The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth Century

Henry Lawson and the ‘Pinker of Literary Agents’

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

Bibliographic Notes on Selected Irish-Australian Writers

Vance and Nettie Palmer: The Literary Journalism

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard Lee

Randolph Stow’s *Outrider* and the French Voyager Poem

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

Helen Garner’s *Monkey Grip*: The Construction of an Author and Her Work

Writers Behaving Badly: Stead, Bourdieu and Australian Literary Culture