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War in Post-1960s Fiction: Johnston, Stow, McDonald, Malouf and Les Murray

Asia, Europe and Australian Identity: The Novels of Christopher Koch

God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’

My Unilateral Debate: Katharine Susannah Prichard, Rebel Heroes and Matters Pertaining

Discoveries and Transformations: Aspects of David Malouf’s Work

Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*

From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian Fiction

Gender and Genre in Barbara Baynton’s *Human Toll*

Reopening the Case of Ada Cambridge

Barry Oakley and the Satiric Mode

Centre of Fierceness: Francis Webb’s Vision of the Artist

Jindyworobaks and Aborigines

Marcus Clarke’s *Chidiock Tichbourne*

The ‘Literary Photographs’ of Henry Lawson

The Support of Literature in Colonial Australia

Reading the Signs of Michael Wilding’s ‘Knock, Knock’

Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*

Hal Porter, *The Tower* and the Quintessence of Porterism

Sonnet Sequences in Australia (1832-1990): A Preliminary Checklist

‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas Shapcott