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- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- Still Life: Art and Nature in Vivian Smith’s PoetryEssay1 October 1995
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- The Fiction of Beverley FarmerEssay1 May 1990
- ‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul SolangesEssay1 May 1998
- Australian Literary and Scholarly Publishing in Its International ContextEssay1 May 1999
- Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard AwardEssay1 October 1999
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- About Face: Asian-Australians at HomeEssay1 May 2002
- The Sun’s Fish Dreaming : The Poetry of Andrew TaylorEssay1 May 2004
- Dying of Landscape: E.L. Grant Watson and the Australian DesertEssay1 May 1999
- Australian Literature: Points for DepartureEssay1 October 1999
- ‘Talking with Yagan’s Head’: The Poetry of John MateerEssay1 October 2000
- Reading (in/and) *Miranda*Essay1 May 2006
- Reading Kate Llewellyn’s Garden(Books)Essay1 October 2006
- Unbecoming Australians : Crisis and Community in the Australian Villa/ge BookEssay1 October 2007
- ‘Will This be Your Poem, or Mine?’: The Give and Take of StoryEssay1 October 2007
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational RhetoricEssay1 November 2009