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Australian Bards and British Reviewers

Marcus Clarke’s Library

‘Oh, Vaunted Queensland!’: A Literary Interpretation, 1862-69

Charles Harpur’s ‘Midsummer Noon’: A Structuralist Approach

G.A.S. in Australia: Hot Air Down-Under?

Gambling on Reality: A Reading of Peter Carey’s *Oscar and Lucinda*

Anzac, Literary Genre and Memory

Performance for the People

Three-Dimensionality and *My Brother Jack*

The Art of ‘Cracking Normal’

Setting the Record Straight: Bibliography and Australian Literature

‘Death and the Woman’ : Looking at Francis Webb’s ‘Lament for St Maria Goretti’

Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial Recasting

Becoming Native: Australian Novelists and the New Zealand Wars

Translating *Fredy Neptune*: Interview with Thomas Eichhorn

Bottling the Forbidden Fruit: Marion Halligan’s Fiction

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences Frontier

On Not Having Sex: Sumner Locke Elliott and Queer History

Out from the Shadows: The Realist Writers’ Movement, 1944-1970, and Communist Cultural Discourse