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The Boer War: Paterson, Abbott, Brennan, Miles Franklin and Morant

A Lost Dimension: The Immigrant’s Experience In the Work of David Malouf

‘But who considers woman day by day?’: Australian Women Poets and World War I

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Irish Republicanism and the Colonial Australian Bushranger Narrative

Literary Aspiration and the Papers of William Gosse Hay

Barry Oakley and the Satiric Mode

Thoughts on Some Recent Poetry

Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*

The Use of Names and Colours in Randolph Stow’s *Tourmaline*

‘Deadly’ Work: Reading the Short Fiction of Archie Weller

An Interview with Archie Weller

In His Own Sweet Time: Carmen’s Coming Out

Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley Walker

Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*

Minding Elephants and the Rhetorics of Destruction

The Return of the Fairy: Australian Medievalist Fantasy for the Young

In the Club: Australian Crime Fiction in the USA 1943-1954

**Contingencies of Meaning Making: English Teaching and Literary Sociability**