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Imagined Counterpart: Outlining a Conceptual Literary Geography of Australia

Man, Work and Country: The Production of Henry Lawson

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

My Brilliant Career and 1890s Goulburn

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

Gender and Race Relations in Elizabeth O’Conner’s Northern Homesteads

Veronica Brady’s Biography of Judith Wright

Australian Literature: Points for Departure

The Great Southern Land: Asian-Australian Women Writers Re-View the Australian Landscape

Mid-Victorian Reading and the Antipodes

Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*

‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern Reader

‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic Primitivism

‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary Lives

Mary Fortune as Sylphid: ‘blond, and silk, and tulle’

Picturising Patois in *The Sentimental Bloke*

Research in Progress in Australian Literature [1979]

Towards the Source of ‘The Wanderer’