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Xavier Herbert: *Capricornia*

The Reconstruction of Self: Background and Design in George Johnston’s Meredith Trilogy

‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great War

My Unilateral Debate: Katharine Susannah Prichard, Rebel Heroes and Matters Pertaining

Urban Influence on Australian Literature in the Late Nineteenth Century

‘The Orange Tree’ and the Limitations of Poetry

Old Orders, New Lands: The Earth Spirit in Picnic at Hanging Rock

Lesbia Harford’s Homefront Warrior and Women’s World War I Writing

Imagined Counterpart: Outlining a Conceptual Literary Geography of Australia

Man, Work and Country: The Production of Henry Lawson

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

My Brilliant Career and 1890s Goulburn

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

Gender and Race Relations in Elizabeth O’Conner’s Northern Homesteads

Veronica Brady’s Biography of Judith Wright

Australian Literature: Points for Departure

The Great Southern Land: Asian-Australian Women Writers Re-View the Australian Landscape

Mid-Victorian Reading and the Antipodes