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Jack Lindsay’s Historical Writings

William Hay and History : A Comment on Aims, Sources and Method

The Redemptive Theme in *His Natural Life*

Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British Connections

The Boer War: Paterson, Abbott, Brennan, Miles Franklin and Morant

On Finding ‘Australia’: Mirages, Mythic Images, Historical Circumstances

*An Imaginary Life*: The Dimensions of Self

Christina Stead: An Interview

Treating Dora in *His Natural Life*

Vexilla Regis Prodeunt: Myth and Allusion in Out of Ireland

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

Folie, Topography and Family in Murray’s Middle-Distance Poems

*Fredy Neptune*: Metonymy and the Incarnate Preposition

Some Versions of Manifold: Brisbane and the ‘Myth’ of John Manifold

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and Celebrity

‘But who considers woman day by day?’: Australian Women Poets and World War I

Displaying the Monster: Patrick White, Sexuality, Celebrity

In the Beginning: David Malouf’s *An Imaginary Life*

Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance Measurement