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- Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*Essay1 November 1998
- Cold War, Home Front : Australian Women Writers and Artists in the 1950sEssay1 May 2002
- *Geoffry Hamlyn* and Its Australian SettingEssay1 June 1963
- Reading Kate Llewellyn’s Garden(Books)Essay1 October 2006
- Unbecoming Australians : Crisis and Community in the Australian Villa/ge BookEssay1 October 2007
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- ‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern ReaderEssay1 May 2006
- ‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*Essay1 October 2007
- Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*Essay1 October 2009
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- ‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary LivesEssay1 October 2011
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- ‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short StoriesEssay31 October 2015
- The Composition of *Geoffry Hamlyn*: The Legend and the FactsEssay1 October 1968
- ‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*Essay1 May 1996
- Treating Dora in *His Natural Life*Essay1 May 2003
- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006
- The Literary Destruction of Canberra: Utopia, Apocalypse and the National CapitalEssay1 May 2009