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- Review of *James Smith: The Making of a Colonial Culture* by Lurline Stuart, and *James Edward Neild: Victorian Virtuoso* by Harold LoveReview1 May 1990
- Annual Bibliography of Studies in Australian Literature: 1990Essay1 May 1991
- Ada Cambridge, G.F. Cross, and ‘The Modern Pulpit’Essay1 May 1992
- Australian Literary LivesEssay1 October 2003
- Alan Wearne: InterviewEssay1 November 1998
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- ‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial GeorgicEssay2 May 2023
- Defining the Field of Irish-Australian Literature: Challenges and ConundrumsEssay30 September 2021
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- ‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical ReceptionEssay1 May 2005
- Colonial Violence and Forgotten FictionEssay1 June 2009
- ‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short StoriesEssay31 October 2015
- The Short Stories of Judith WrightEssay1 June 1963
- A.G. Stephens: The Critical *Credo*Essay1 December 1964
- Short NoticesReview1 October 1969
- Review of variousReview1 October 1969
- Review of two books on Norman LindsayReview1 May 1970
- Research in Progress in Australian Literature [1981]Essay1 May 1981
- Review of *Australian Melodrama: Eighty Years of Popular Theatre* by Eric IrvinReview1 May 1983