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- Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*Essay1 November 1998
- Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ FictionEssay1 November 1998
- The Fiction of Gabrielle LordEssay1 October 1999
- Dorothy Hewett’s Faith in DoubtEssay1 May 2001
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- Reading Carey Reading MalleyEssay1 October 2004
- Veronica Brady’s Biography of Judith WrightEssay1 October 1999
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley WalkerEssay1 May 2004
- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- Reading (in/and) *Miranda*Essay1 May 2006
- Unbecoming Australians : Crisis and Community in the Australian Villa/ge BookEssay1 October 2007
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of RepresentationEssay1 November 2009
- Review of *Bluestocking in Patagonia*, by Anne WhiteheadReview1 October 2005
- ‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*Essay1 October 2007
- Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon WatsonEssay1 October 2007