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The Boer War: Paterson, Abbott, Brennan, Miles Franklin and Morant

On Finding ‘Australia’: Mirages, Mythic Images, Historical Circumstances

*An Imaginary Life*: The Dimensions of Self

Christina Stead: An Interview

Treating Dora in *His Natural Life*

Vexilla Regis Prodeunt: Myth and Allusion in Out of Ireland

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

Folie, Topography and Family in Murray’s Middle-Distance Poems

*Fredy Neptune*: Metonymy and the Incarnate Preposition

Some Versions of Manifold: Brisbane and the ‘Myth’ of John Manifold

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and Celebrity

‘But who considers woman day by day?’: Australian Women Poets and World War I

Displaying the Monster: Patrick White, Sexuality, Celebrity

In the Beginning: David Malouf’s *An Imaginary Life*

Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance Measurement

Words, Sticks and Stones: Keneally, Literature and Social Impact

‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel Turner

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself