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After Libertarianism: An Interview with Michael Wilding

Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne

The Drowned World of Kenneth Slessor

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*

‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic Omeros

A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging Phantoms

‘But who considers woman day by day?’: Australian Women Poets and World War I

‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative Life

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

Manifesting Literary Feminisms: Nexus and Faultlines

Bodies that Speak: Mediating Female Embodiment in Tim Winton’s Fiction

Afterword: The Story of a Bookmark

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*

Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial Poetry

The Asian Conspiracy: Deploying Voice/Deploying Story

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of Hybridity

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’