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- The Scarlet-Clad Woman: Munch’s Influence in *A Fringe of Leaves*Essay1 May 1999
- New Directions: IntroductionEssay1 October 1999
- Challenging Voices: Tracing the Problematic Role of Testimony in Political ChangeEssay1 October 2006
- Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*Essay23 May 2022
- The Ends of Empire: Australian Steampunk and the Reimagining of Euro-ModernityEssay3 December 2018
- Fantasising the Nation for Child Readers in Early Australian Fairy TalesEssay11 December 2022
- The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*Essay28 October 2021
- Irish Republicanism and the Colonial Australian Bushranger NarrativeEssay30 September 2021
- Recentring Water: Thinking with the Chain of PondsEssay25 May 2024
- When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’Essay3 October 2024
- **Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**Essay28 October 2021
- ‘The Fullness of Life’: The Poetics and Politics of Jack LindsayEssay1 November 2015
- Some Developments in Short Fiction, 1969-1980Essay1 October 1981
- A Lost Dimension: The Immigrant’s Experience In the Work of David MaloufEssay1 May 1988
- Facey’s A Fortunate Life and Traditional Oral NarrativesEssay1 May 1988
- *The Battlers*: Kylie Tennant and the Australian TraditionEssay1 October 1974
- Thomas Keneally: A ChecklistEssay1 May 1979
- Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century MelbourneEssay1 May 1996
- Treating Dora in *His Natural Life*Essay1 May 2003
- The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*Essay1 May 2003