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- Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius BarbeauEssay1 November 2010
- Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’Essay1 November 2013
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*Essay25 February 2018
- When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’Essay3 October 2024
- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- *The Young Cosima*Essay1 May 1970
- Gentlefolk Errant: The Family Writings of Martin BoydEssay1 October 1972
- Narrative Perspective and Cultural History in *Robbery Under Arms*Essay1 May 1973
- Marcus Clarke: ‘Christianity is Dead’Essay1 October 1973
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- Marcus Clarke’s *Chidiock Tichbourne*Essay1 October 1974
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)Essay1 May 1999
- *Geoffry Hamlyn* and Its Australian SettingEssay1 June 1963
- Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and CanadaEssay1 October 2006
- Minding Elephants and the Rhetorics of DestructionEssay1 June 2010
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012
- Christina Stead’s Student PublicationsEssay7 December 2016
- *His Natural Life* and Its SourcesEssay1 May 1971