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**‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**

Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YA

A.D. Hope and the Poetry of Allusion

Review of *Vance Palmer* by Harry Heseltine

From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian Fiction

Family and the Father in the Poetry of Les A. Murray

A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*

Reopening the Case of Ada Cambridge

‘Maurice Guest’ and the Siren Voices

The Poetic Narrative of R.D. FitzGerald’s ‘Between Two Tides’

Patrick White’s Novels and Nietzsche

Kate Baker, ‘Standard-Bearer’

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*

An Absence of Partisanship

Neither Here Nor There: Suburban Voices in Australian Poetry

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

Excavating a Bonanza: Sarah Campion

‘Years Later’: Temporality and Closure in Peter Carey’s Novels