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- Small Presses and Little Magazines in the 1970sEssay1 October 1980
- The Self and the Magic Lantern: Gender and Subjectivity in Australian Colonial Women’s Writing [1992]Essay1 May 1992
- *Salt*: An Australian Second World War Journal and Its ContemporariesEssay1 May 1993
- Anzac, Literary Genre and MemoryEssay1 October 1996
- An Interview with Christopher KochEssay1 May 1997
- Honi Heke: The Maori as Aboriginal Hero in Australian Colonial PoetryEssay1 May 1993
- Re-Writing Woman: Genre Politics and Female Identity in Kate Grenville’s *Dreamhouse*Essay1 May 1993
- Allegory, Space, Colonialism: *Remembering Babylon* and the Production of Colonial HistoryEssay1 October 1995
- Arthur Hoey Davis and Several ‘Steele Rudds’: Imagining the Pseudonymous AuthorEssay1 May 1990
- **Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**Essay29 October 2020
- An Interview with Thomas ShapcottEssay1 May 1997
- Shrouded Histories: Outlaw and Lawmaker, Republican Politics and Women’s InterestsEssay1 May 2003
- On Not Being Australian: Mudrooroo and DemidenkoEssay1 October 2004
- Fold in the Map: Figuring Modernity in Gail Jones’s *Dreams of Speaking* and Elizabeth Knox’s *Dreamhunter*Essay1 October 2007
- Joyce Eyre and Australian Literature at the University of TasmaniaEssay1 November 2008
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- Australian Letters and Postwar ModernityEssay1 October 2008
- Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*Essay30 May 2015
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016
- Review of *The Memoirs of James Hardy Vaux, Including his Vocabulary of the Flash Language*, edited by Noel McLachlanReview1 June 1965