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- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Dreams and Visions in *The Tree of Man*Essay1 October 1973
- Patrick White’s Novels and NietzscheEssay1 May 1980
- The Support of Literature in Colonial AustraliaEssay1 October 1980
- Helen Garner’s *Monkey Grip*: The Construction of an Author and Her WorkEssay1 October 1992
- Ern Malley and His RivalsEssay1 May 2001
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*Essay1 October 2000
- The Great Southern Land: Asian-Australian Women Writers Re-View the Australian LandscapeEssay1 October 2003
- Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century AustraliaEssay1 May 2005
- Professing the Popular: Political Fiction circa 2006Essay1 October 2007
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- Finding Home: The Poetry of Margaret ScottEssay1 October 2005
- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005
- Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*Essay1 October 2007
- Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006Essay1 October 2009
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010
- Conceptual Poetry, Nonconceptual Poetry, Postconceptual PoetryEssay1 October 2013
- The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*Essay1 May 2012
- Once We Were a Discipline: Stray Thoughts on EnglishEssay1 June 2013