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- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- Generations Lost and Found: Reading Women Writers TogetherEssay1 October 2009
- Valerie Solanas and the Limits of SpeechEssay1 November 2009
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 October 2009
- Salt Scars: John Kinsella’s WheatbeltEssay1 June 2012
- Minding Elephants and the Rhetorics of DestructionEssay1 June 2010
- Patrick White’s Studies for *Voss*Essay30 September 2022
- The Ayers Rock Experience: Reading to Recuperate the Lost in David Malouf’s ‘Mrs Porter and the Rock’Essay1 May 2011
- ‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*Essay1 May 2011
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012
- ‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*Essay1 May 2012
- ‘How to encourage our literature’: Australian Fiction in the Australian Public LibraryEssay1 May 2012
- Aboriginal Women's Life-History Writing, Settler Reading and *Not Just Black and White*Essay11 December 2022
- Grievous Music: Randolph Stow’s Middle AgesEssay1 November 2011
- Mary Fortune as Sylphid: ‘blond, and silk, and tulle’Essay1 October 2012
- Sex and the City: New Novels by Women and Middlebrow Culture at Mid-CenturyEssay1 October 2012
- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012
- Poetry, Activism and Cultural CapitalEssay1 November 2013
- Phonographic Books and the Late Nineteenth-Century ReaderEssay1 October 2014
- Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney LiteraturesEssay25 May 2024