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Daemonic Currents in Dorothy Porter’s Poetry

Under the Angle: Memory, History, and Dance in Nineteenth-Century Medievalism

‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary Lives

Grievous Music: Randolph Stow’s Middle Ages

In the Club: Australian Crime Fiction in the USA 1943-1954

Mary Fortune as Sylphid: ‘blond, and silk, and tulle’

Sex and the City: New Novels by Women and Middlebrow Culture at Mid-Century

Picturising Patois in *The Sentimental Bloke*

Les Murray’s Talking Mosaics

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*

The Australian Kangaroo Hunt Novel (1830–1858) as *Bildungsroman*

Displaced Homelands in Gerald Murnane’s *Inland*

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

Porous Realism and the Precarious Home in Ruth Park’s Fiction

‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick Bourke

Perceptions of the Enemy in Australian War Literature

The Boer War: Paterson, Abbott, Brennan, Miles Franklin and Morant

The Treatment of the Aborigine in Early Australian Fiction, 1840-70

Thomas Keneally: A Checklist