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Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*

**Contingencies of Meaning Making: English Teaching and Literary Sociability**

Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)

‘Nearly all deep fertile soil’: Les Murray, His Son and Autism

Site Unscene: Medial Ideology and the Literary Interface

‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial Georgic

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

Patrick White’s Studies for *Voss*

‘The Kingdom of Dust’: *Voss* as Planetary Epic

‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick Bourke

*His Natural Life* and Its Sources

Australian Literature: A Preliminary Subject Checklist

Out from the Shadows: The Realist Writers’ Movement, 1944-1970, and Communist Cultural Discourse

Annual Bibliography of Studies in Australian Literature: 1993

Colonial Violence and Forgotten Fiction