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Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler Colonialism

Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of Cloudstreet

Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*

**Aboriginal Mobilities and Colonial Serial Fiction**

Displaced Homelands in Gerald Murnane’s *Inland*

The Ends of Empire: Australian Steampunk and the Reimagining of Euro-Modernity

Fantasising the Nation for Child Readers in Early Australian Fairy Tales

Porous Realism and the Precarious Home in Ruth Park’s Fiction

Shame in Ruth Park’s Inner Sydney Novels

Place, History and Story: Tony Birch and the Yarra River

Marcus Clarke, the Two George Eliots, and the History of Two Newspapers

Out of Context: A Study of Thomas Keneally’s Novels

Reviewing Communism: *Communist Review* (Sydney) 1934-1966: A Checklist of Literary Material

Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British Connections

On Finding ‘Australia’: Mirages, Mythic Images, Historical Circumstances

Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary Culture

What Created, What Perceived?: Early Responses to New South Wales

Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’