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‘Savage Paradise’: History, Violence and the Family in Some Recent Australian Fiction

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

An Absence of Partisanship

A Reconsideration of Christina Stead at Work: Fact into Fiction

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

‘Roost High and Crow Low’: The Legacy of Barry Andrews

Un/making Sexuality: *Such Is Life* and the Observant Queer Reader

Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary History

The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You Know

Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth Jolley

Alien Intoxications: The Aggressions of a Brisbane Opium Smoker

The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*

The ‘Hollowness’ of English? A Case for Narratology

Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient Music

‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of Translation

Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney Literatures

Review of *Mick: A Life of Randolph Stow*, by Suzanne Falkiner

Review of *Required Reading: Literature in Australian schools Since 1945*, edited by Tim Dolin, Jo Jones and Patricia Dowsett.

The Australian Career of John Lang, Novelist

Romantic Attitudes in *Geoffry Hamlyn*