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Australian Gothic: Theatre and the Northern Turn

Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel Turner

Interview with David Malouf

Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor Stravinsky

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of Hybridity

Beatrice Davis and ‘The Sacredness of the Printed Word’

‘Our Literary Connexion’: Rosa Praed and George Bentley

The Creation of Rachel Henning: Personal Correspondence to Publishing Phenomenon

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

Literary Aspiration and the Papers of William Gosse Hay

Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the Curriculum

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

**The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**

Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YA

Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’