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- John TranterEssay1 October 1977
- Charles Harpur’s ‘Midsummer Noon’: A Structuralist ApproachEssay1 October 1978
- Homages and Invocations: The Early Poetry of Robert AdamsonEssay1 October 1989
- The Language of Music: Helen Garner’s *The Children’s Bach*Essay1 October 1990
- From Kath Walker to Oodgeroo Noonuccal? : Ambiguity and Assurance in *My People*Essay1 November 1994
- An Interview with Tim WintonEssay1 October 1996
- Dancing ‘on Bits of Paper’ : Les Murray’s SoundscapesEssay1 October 2001
- ‘His Grief Is the Plague’ Poetry of Loss and the Risk of Losing One’s ReadersEssay1 November 2013
- ‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick BourkeEssay23 May 2022
- Shame in Ruth Park’s Inner Sydney NovelsEssay3 October 2024
- The Treatment of the Aborigine in Early Australian Fiction, 1840-70Essay1 May 1972
- Annual Bibliography of Studies in Australian Literature : 1979Essay1 May 1980
- Official Criticism? Critical Practices and Australian PoetryEssay1 October 1993
- ‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*Essay1 May 1996
- Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*Essay1 October 2002
- Unknown Australia: Rosa Praed’s Vanished RaceEssay1 May 2005
- Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)Essay1 October 2014
- Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and FlushEssay1 June 2010
- The Creation of Rachel Henning: Personal Correspondence to Publishing PhenomenonEssay1 October 2012
- Australian Letters and Postwar ModernityEssay1 October 2008