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Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary Culture

White Closets, Jangling Nerves and the Biopolitics of the Public Secret

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

James McAuley’s New Guinea : Colonialism, Modernity and Suburbia

The Drowned World of Kenneth Slessor

‘This Country is My Mind’: Les Murray’s Poetics of Place

Unknown Australia: Rosa Praed’s Vanished Race

The Australian Home-Front Novel of the Second World War: Genre, Gender and Region

First Steps toward a History of the Mid-Victorian Novel in Colonial Australia

Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and Flush

A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

Composing *Rayuela*: The Musical Element in Julio Corrazar’s Narrative

Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with Joyce

‘Ourselves Alone’? Encounters Between the Irish Literary Revival and Australian Settler-Modernisms, ca. 1913–1919

Mal du Pays: Symbolic Geography in the Work of Randolph Stow

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction

The Fortunate Flâneuse

Between Scylla and Charybdis : ‘Kangaroo’ and the Form of the Political Novel

Patrick White’s Four Plays