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Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing

Gossip and History in the Novels of Brian Penton and Thomas Keneally

The Use of Names and Colours in Randolph Stow’s *Tourmaline*

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Italian Immigrants in Australian Fiction 1900-1950

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard Lee

Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*

Imagined Counterpart: Outlining a Conceptual Literary Geography of Australia

Enlarging Our Experiments with Narrative: John A. Scott’s Triology with Annotations

Transgressing Language?: The Poetry of Ania Walwicz

Australian Literary and Scholarly Publishing in Its International Context

Colonial History and Post-Colonial Fiction : The Writing of Thea Astley

Origin, Identity and the Body in David Malouf’s Fiction

Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard Award

Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned Kelly

The Solitariness of Alex Miller

Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-Petersen

Dorothy Hewett’s Faith in Doubt

Criminal Transport: George Barrington and the Colonial Cure