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- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- Demidenko/Darville: A Ukrainian-Australian Point of ViewEssay1 October 2004
- Helping Yourself: Marlo Morgan and the Fabrication of Indigenous WisdomEssay1 October 2004
- Unknown Australia: Rosa Praed’s Vanished RaceEssay1 May 2005
- The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth CenturyEssay1 May 2006
- Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and AestheticsEssay1 November 2008
- ‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative LifeEssay1 May 2009
- ‘Phrases Between Us’: The Poetry of Anna WickhamEssay1 October 2005
- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006
- Remembering the War: Australian Novelists of the InterWar YearsEssay1 October 2007
- Gender ButtonsEssay1 November 2009
- The Time of Biopolitics in the Settler ColonyEssay1 June 2011
- Being Out of Time: Animal Gods in Contemporary Extinction FictionsEssay1 June 2010
- The Asian Conspiracy: Deploying Voice/Deploying StoryEssay1 October 2010
- Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice TawhaiEssay1 November 2010
- Composing *Rayuela*: The Musical Element in Julio Corrazar’s NarrativeEssay1 June 2014
- Beatrice Davis and ‘The Sacredness of the Printed Word’Essay1 October 2012
- Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with JoyceEssay25 February 2018
- Literary Aspiration and the Papers of William Gosse HayEssay9 July 2018
- Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)Essay19 September 2017