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The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

Poetry and Politics in Oodgeroo: Transcending the Difference

Lesbia Harford’s Homefront Warrior and Women’s World War I Writing

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard Lee

An Interview with Archie Weller

Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*

Worlds Apart? Finnish Translations of Australian Literature

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

A Reconsideration of Christina Stead at Work: Fact into Fiction

Randolph Stow’s *Outrider* and the French Voyager Poem

Man, Work and Country: The Production of Henry Lawson

Michael Wilding’s Three Centres of Value

‘Roost High and Crow Low’: The Legacy of Barry Andrews

Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned Kelly

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

Shopping at Last!: History, Fiction and the Anti-Suburban Tradition

‘Years Later’: Temporality and Closure in Peter Carey’s Novels

Dorothy Hewett’s Faith in Doubt