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- A Reconsideration of Christina Stead at Work: Fact into FictionEssay1 May 1997
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- Helen Garner’s *Monkey Grip*: The Construction of an Author and Her WorkEssay1 October 1992
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- Transgressing Language?: The Poetry of Ania WalwiczEssay1 May 1996
- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- Ern Malley and His RivalsEssay1 May 2001
- Les Murray: A Selective ChecklistEssay1 October 2001
- Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial UncannyEssay1 October 2003
- Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ FictionEssay1 November 1998
- The Fiction of Gabrielle LordEssay1 October 1999
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- Professing the Popular: Political Fiction circa 2006Essay1 October 2007
- ‘Will This be Your Poem, or Mine?’: The Give and Take of StoryEssay1 October 2007
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational RhetoricEssay1 November 2009
- Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of RepresentationEssay1 November 2009
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- Valerie Solanas and the Limits of SpeechEssay1 November 2009