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- *West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of MovementEssay1 May 2011
- Beatrice Davis and ‘The Sacredness of the Printed Word’Essay1 October 2012
- Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler ColonialismEssay1 June 2016
- One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983Essay5 May 2016
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Defining the Field of Irish-Australian Literature: Challenges and ConundrumsEssay30 September 2021
- A Lady’s Letter from London: 1873-1908Essay1 October 1984
- Short NoticesReview1 May 1977
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016
- Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*Essay25 February 2018
- Review of *Reading Corporeality in Patrick White's Fiction: An Abject Dictatorship of the Flesh*, by Bridget GroganReview19 December 2019
- Primary Sources for the Study of the Vocabulary of Nineteenth Century Australian EnglishEssay1 December 1964
- Research in Progress in Australian Literature [1965]Essay1 December 1965
- John Greenway and the Aborigines: A RejoinderEssay1 December 1966
- Review of *Australians Abroad* edited by Charles Higham and Michael Wilding, and *Morrison of Peking* by Cyril PearlReview1 October 1968
- Short NoticesReview1 October 1970
- Short NoticesReview1 October 1970
- Patrick White’s *The Vivisector*: The Artist in Relation to His ArtEssay1 October 1971
- Harpur’s Notes and Kendall’s Bell BirdsEssay1 May 1972
- Authors’ Statements [Gerard Lee]Essay1 October 1981