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- ‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay FictionEssay18 December 2023
- Themes and Imagery in *Voss* and *Riders in the Chariot*Essay1 June 1964
- The Surrender to Truth in The Early Australian NovelEssay1 December 1965
- Havelock Ellis’s Australian IdyllEssay1 June 1967
- History and Fiction in Rolf Boldrewood’s *The Miner’s Right*Essay1 June 1967
- D. H. Lawrence’s AustraliaEssay1 October 1970
- Literary Nationalism and the 1890sEssay1 May 1971
- Review of *Vance Palmer* by Harry HeseltineReview1 October 1971
- Barry Oakley and the Satiric ModeEssay1 May 1975
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- Marcus Clarke and the TheatreEssay1 May 1975
- The Craftsmanship of Lawson RevisitedEssay1 October 1976
- Some Mary Gilmore LettersEssay1 October 1972
- ‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada CambridgeEssay1 October 1972
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Dreams and Visions in *The Tree of Man*Essay1 October 1973
- Brereton, the *Bulletin*, and A.G. StephensEssay1 June 1963
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- The Company She Keeps: Demidenko and Imposture in AutobiographyEssay1 October 2004
- Back to Whitton Week: Tracking Tom Keneally's CareerEssay30 May 2015