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Facey’s A Fortunate Life and Traditional Oral Narratives

White Closets, Jangling Nerves and the Biopolitics of the Public Secret

Christina Stead: An Interview

James McAuley’s New Guinea : Colonialism, Modernity and Suburbia

Treating Dora in *His Natural Life*

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

Some Versions of Manifold: Brisbane and the ‘Myth’ of John Manifold

A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging Phantoms

Displaying the Monster: Patrick White, Sexuality, Celebrity

*West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of Movement

Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and Flush

Words, Sticks and Stones: Keneally, Literature and Social Impact

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with Joyce

Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)