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- Wilde Identifications: Queering the Sexual and the National in the Work of Eve LangleyEssay1 October 2002
- On Appropriation: Two Novels of Dark and Barnard EldershawEssay1 October 2002
- ‘But who considers woman day by day?’: Australian Women Poets and World War IEssay1 May 2007
- Displaying the Monster: Patrick White, Sexuality, CelebrityEssay1 May 2010
- In the Beginning: David Malouf’s *An Imaginary Life*Essay1 October 2005
- Remembering the War: Australian Novelists of the InterWar YearsEssay1 October 2007
- Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*Essay1 June 2014
- What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*Essay1 November 2010
- Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor StravinskyEssay1 June 2014
- Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional VerseEssay1 June 2014
- Beatrice Davis and ‘The Sacredness of the Printed Word’Essay1 October 2012
- ‘Our Literary Connexion’: Rosa Praed and George BentleyEssay1 October 2012
- Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*Essay31 October 2015
- Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for ChildrenEssay9 July 2018
- Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the CurriculumEssay19 September 2017
- **Contingencies of Meaning Making: English Teaching and Literary Sociability**Essay29 October 2020
- **The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**Essay30 April 2021
- ‘Nearly all deep fertile soil’: Les Murray, His Son and AutismEssay23 May 2022
- Bibliographic Notes on Selected Irish-Australian WritersEssay30 September 2021
- ‘It’s Best to Leave This Constructive Ambiguity in Place!’: The Evaluation of Research in Literary StudiesEssay30 October 2023